0
Shares
0
0
0

In the 1960s, Dorothy Moskowitz voyaged through the heart of the US avant-garde, a journey culminating in the explosive psychedelia of her influential band, The United States Of America. Six decades on, the essence of that artistic revolution is emerging again

Want to read more?

Sign up to Electronic Sound Premium to gain access to every post, video, special offers, and more. 100%, all you can eat, no commitment, cancel any time.


Sign Up Now

Already a premium member? Log in here

0 Shares:
Share 0
Tweet 0
Share 0

You May Also Like
LLong Reads
Read More
  • 9 minute read

Karl Bartos: Nothing Is Real

Karl Bartos discusses his soundtrack for the expressionist shocker ‘The Cabinet Of Dr Caligari’, a film set in the 19th century, first released in 1920, and now reissued more than 100 years later
LLong Reads
Read More
  • 9 minute read

Tears For Fears: Fear Factory

Celebrating the release of the first Tears For Fears album since 2004, Roland Orzabal and Curt Smith reflect on a five-decade career and talk about loss, working under duress, musique concrète and Gothic architecture 
LLong Reads
Read More
  • 8 minute read

Belbury Poly: Where The Wild Things Are

Ghost Box Records founder Jim Jupp is returning to his otherworldly roots with ‘The Gone Away’, his first solo album as Belbury Poly in four years. It’s not about ghosts this time, though. It’s about fairies 
LLong Reads
Read More
  • 8 minute read

Beverly Glenn-Copeland: All You Need Is Love

On his first studio album since 2004, revered American singer/composer Beverly Glenn-Copeland exudes warmth and optimism. He talks about the inspiration behind the record, his late-career resurgence and the inordinate power of love
LLong Reads
Read More
  • 6 minute read

Reed & Caroline: Space Oddity

An album of delicate synthpop? Just a female voice and a Buchla synth? Songs about space, washing machines, worms and electrons? Signed to Vince Clarke’s new record label? What’s not to like about Reed & Caroline?